1.05.2009

Thank you, Grandpa

I was adopted as a baby and it was clear to all of us that I was the wrong child for my adoptive mother. Nevertheless, her silent father – my grandpa - loved me. When I was ten or eleven he would take me with him on trips to the country to visit his kinfolk. Immediately upon arriving I would sink into the family, seemingly without having caused a wrinkle in daily existence. This adjustment astonished me. It also pleased me since I knew that, back home in the suburbs, I was a nuisance to everyone. I was in the way and strange and nobody liked me, particularly my mother. But there, there in the rolling countryside everything seemed so simple and yet so full. Life was a flow, not a thing to be contained and dictated. Each moment was filled with the promise of the nature's shifting cycles. There in that ripe, moist place the only unchanging reality was the solid and unquestioning love for all young things.

Freed from my sense of displacement, I would run through the stiff green corn stalks with my second cousins who had become my instant best friends. They liked me I think, or at least they had no choice in the matter. We were a vast network of cousins - or something close to it - and we were stuck together for better or worse. We never referred to one another by first name only; a statement of our affiliation was expected. There was "Cousin Gordon" and "Aunt Patty Earl", and all the spinster aunties were respectfully referred to with a "Miss" at the forefront. In retrospect, I find it astounding how well each of us understood the intricate weavings of our familial connections.

The great aunts and grannies would feed our clan of dirty, barefooted children at round kitchen tables heaped with plates and plates of salty ham and freshly made biscuits. We would then be herded out the kitchen door and into pick up trucks or the backseats of giant sedans. My feet dangling over the edge of the seat, I would stare reverently at the spikey hair of whatever uncle or male cousin was driving. Together, we drifted down country roads and gazed out open windows at the vibrant green tobacco and soybean farms, hot summer air blowing in our faces and stealing our breath. It felt like being battered with soft warm pillows. Like being buffeted about by the soft breasts of our aunties. Later, back at the house, I would burn my mouth on piping hot, fresh hushpuppies and soothe the burn with freshly squeezed lemonade. And then I would do it again.

The wholesome smell of decaying vegetation and well-smoked pipes, the weight of hot, wet air, the discordant yet oh-so-musical sound of a southern drawl and the barking laughter of old people… for me this became the atmosphere of belonging, of acceptance, of freedom. I never failed to be surprised that the aunties loved me just as well as the other children and that they often asked me to "give them some sugar". Shyly, I would wrap my arms around the plump women in cotton aprons and squeeze, breathing in the magical scent of bath beads and lemon cake. I secretly worshiped the uncles too, those mysterious wonders with gruff voices and scratchy beards who smelled of pipe "tabacca" and wore overly large pants with haphazardly applied suspenders. I watched them from a distance, longing for them to hold me, know me for a good child, love me just as I was. In retrospect, I believe that they never questioned my goodness or their love for me, though they were very quiet people who were not inclined to gush.

These folk – these misty and beautiful memories - they sat in rusty lawn chairs, gliding backwards and forwards with a steady creak, watching with soulful satisfaction as the "youngins" chased fireflies in the twilight. I joined in the celebration, jumping about with a jar in one hand and a lid in the other. I would catch them, but in doing so I never failed to be overcome with melancholy. Dancing in the night air, they were mystical creatures and I was in awe of them. They flitted around with such promise, such purpose, such brightness. But in the jar they were just loathsome little bugs that made my skin crawl.

My next action was predictable and inevitable; I would unscrew the cap of the glass mayonnaise jar and watch, breath held, as my captive discovered the exit, flew up and then away. Transfixed, I would concentrate on the little black spot, barely visible in the fading light, and pray that I had not broken the poor thing. And then I would see it. That perfect, wavering glow on the other side of the vast lawn. Exhaling with a relief no child should ever know, I would turn away from the dread and the solitude of being me. I would plunge back into the merry-making having forgotten, as only a child can, that I had ever been afraid.

11.29.2008

We Don't Know Me

Hi friends:

You can find my latest blog at Jenny Gilliam's blogspot: http://www.jennygilliam.blogspot.com/. The title of the blog is "You Don't know Me." It's also posted below:

You don't know me so let me introduce myself. My name is Lena and I'm pretending to write a romance novel. I mean, I'm not really pretending, but it really feels like I am pretending. Sometimes I even feel like I'm pretending to pretend to write a romance novel. Good grief, it may be that I'm not actually doing anything. Is it all pretend?

As you might suspect, this pretending thing concerns me. It concerns me because I quit my day job last December with the adamant intention of finishing a full length novel by early spring 2009. So far I've written about half of a novel that - I swear to you - quite suddenly stopped making sense. And, to my horror, it seemed to take a rather dark and gloomy turn. Considering that I am known, almost universally, as the most horribly cheerful and fun-loving person you could ever meet I began to worry. This was when I started to realize that - gasp - I don't know me either! Or, at least, I don't know all of me. Who am I and what am I doing?

This question is alarming, depressing, agitating, exciting and significantly uncomfortable. It is also my loyal companion on this labyrinth-like journey of writing a book. It's not as scary as it initially seemed however because, as it turns out, it is also the fodder of my trade. Not knowing me – or what I'm doing - sparks my imagination. If I can't achieve the answers through the use of reason and logic (and trust me, I can't), than I simply must shift out of my head and into my heart. And then it comes. The story, the plot points, the characters….they simply come right out of my heart. And through these things I catch a glimpse of who I am and what I'm doing.

Maybe someday I won't have to torture myself with this dark and gloomy process of fear-doubt-surrender before I arrive at the answers. But, then again, maybe I won't. And maybe I don't want to. Maybe I don't want to end my daily journey of casting off the smallness of my mind in order to delve into the deep well of universal experience that is the birthplace of all Story? The place where I know me and you know me and we recognize one another because we understand things in this place. In that place we are all embracing love and joy and celebrating - without shame – the beauty of our bodies, our feelings, our very natures. There we are free. Whoa. I am getting all this from the process of writing a romance novel. Awesome.

So, I suppose, whether or not I ever find my book on the shelf at a bookstore or the NYT Best Sellers List I can feel confident that I am not pretending to write a romance and that I am, in fact, learning who I am and what I'm doing at every cross in the road. And I can rest assured that you do recognize me even though you've never seen my face or read my book. You understand me because you've been to that very same cross in the road yourself. It's even possible that you are there with me right now.

See you 'round - LRW



11.13.2008

A Day in the Life

A list of the unfortunate daily rituals of one unpublished writer:
  • Wake and identify excellent new plot points for story. Feel enthusiastic.
  • Drink coffee while waking household to a bright new day. Think about exciting new ideas for story.
  • Make 3,478th sack lunch for child.
  • Argue heatedly with boisterous 10 year old son about weather appropriate clothing, politics, God, the pros/cons of sword fighting near a hot stove, the NerfGun dart that is stuck to the back of my neck, and what shoes he will wear (he will make the WORST choice).
  • Use threats, coercion and bribery to successfully send son off to school.
  • Chastise self for good measure.
  • Search memory for new plot points identified that morning. Fail to locate them.
  • Chastise self for good measure - again.
  • Despair over writing career.
  • Drink coffee and read email.
  • Open Story on laptop.
  • Suddenly think of something else that needs to be done right away.
  • Do that other thing.
  • Return to desk.
  • Read Huffington Post.
  • Consider blogging but feel inadequate for the task.
  • Stare interestedly at toenails. Consider seeking emergency pedicure. Remember vow to stop all self-indulging behaviors until first book is published. Ha.
  • Talk to dogs about problems.
  • Think fondly of the days when cigarette smoking was cool. Pat self on back for quitting years ago while secretly fantasizing about making smoke rings.
  • Pluck eyebrows thoroughly (as if this is actually possible).
  • In an effort to justify lack of creativity (and to avoid having to actually WRITE), read and edit Story pages written to date.
  • Have a snack and wonder if it is too early for a glass of wine.
  • Experiment with new Epi-Lady on legs and armpits. Yeouch!
  • Have another snack.
  • Drink coffee.
  • Drink coffee.
  • Drink coffee.
  • Re-read Huffington Post.
  • Day dream.
  • Nap.
  • Drink coffee.
  • Call a friend to talk about her problems.
  • Go for walk or run or do yoga and day dream the entire time.
  • Use positive self-talk to pull myself together.
  • Sit down at desk again and disconnect from the internet.
  • Despair of ever writing a complete story much less publishing one.
  • Take a deep breath. Exhale.
  • Begin, finally, to write.
  • Write and write and write until that subtle shift occurs and I am lost in the sea of my dreams.
  • Start over the next day.

10.30.2008

Passive Voice

Every writer knows that using passive voice is a no no. So why do I keep doing it in my story? Is it symbolic of my inner world? Am I feeling powerless? Am I unable to control myself? Am I actually a passive and ineffectual person? Can I not bring change to my self, to my writing, to my world?

Ah ha. There's the issue.

Late last night, just before I went to bed, I read a FaceBook posting by a friend of mine. She said she was nursing a migraine and she attributed it to Election Stress. "Hey!" I thought, "Me too!" And then I hobbled and limped all the way to bed, gingerly holding my head between my hands. I felt defeated. I felt small. I felt powerless to stop the negativity and fear that is circling our country like a vulture.

This is a hard time for a romantic like me. I mean, what if there isn't a happy ending with the presidential election? Like many of us, I find myself at a crisis point. I need an epiphany! So - in hopes of achieving an epiphany or at the very least an endorphin rush - I took my pain wracked body out the door this morning and went for a jog. My body still hurts but I do feel better overall. And I did have an epiphany of sorts. A few of them even.

  • Epiphany One: There is no such thing as a perfect epiphany. Elation is elusive.
  • Epiphany Two: Jogging with your dog is really nice.
  • Epiphany Three: My life is good and I am happy. I practice happiness as a form of service to the universe.
  • Epiphany Four: I believe in - and I write about - goodness and happiness and joy. That in itself is a form of worship. I actively worship hope. I am not passive and I will immediately rewrite all unnecessarily passive sentences in my novel.
  • Ephiphany Five: Love conquers all. No matter what.
Let's all try to remember Epiphany Five. Keep your hope alive, your hearts open, and keep believing. Take the risk. I promise it will have a happy ending. No matter what.

- LC